Toys! Wonderful toys!

On Anna's recommendation, I bought a copy of The Sewing Machine Attachment Handbook, which turns out to have been the book I've been looking for all my sewing life. Did your sewing machine come with a box of tiny, weirdly-shaped feet? Then you need this book. There are clear instructions for guides, hemmers, rufflers, binding and cording feet, sequin feet, walking feet ... and on and on. If you can screw, bolt, strap or clip it to your sewing machine, I think this book covers it.

My favorite guideline for judging sewing books is by whether or not they make you want to sew -- and this book makes me really, really want to sew. I think the hemming foot instructions alone are going to make my sewing life better.

It's also kindled in me a deep and painful longing for something called a "bias cutting guide" -- a doodad that clips to the end of your scissors so that you can cut bias tape without all that painful marking. I wants one, I do. Couldn't turn one up on eBay, though; does anyone have any leads?

(Also, if you buy it from the link above, the author, Charlene Phillips, will sign your copy. That's always nice!)

Review: Built By Wendy: Dresses

I was really impressed by Built by Wendy Dresses: The Sew U Guide to Making a Girl's Best Frock. I really liked her Sew U book that came out back in 2006, so I was excited to see that she had a new one, concentrating exclusively on DRESSES. Whoo-hoo!

There are three dress patterns (sheath, shift, and dirndl) and twenty-five variations, most of which are cute (although they skew a little young). And the pattern sizing has changed from the first book, with the new book including an XL size (up to a 41" bust).

This would be a good book for a dedicated beginner. By "dedicated beginner," I mean someone who is slightly more patient than average (or maybe just slightly more patient than ME), who is thoughtful and careful, and who has sufficient motivation to spend more than one weekend putting a dress together. I estimate that it would take one weekend's worth of time (for a beginner) just to get the patterns traced and altered, one weekend to cut out the pattern and begin construction, and one weekend (or long evening) to do the finishing work. This is definitely a book for someone who will enjoy the planning and the process as much as the finished item.

However, if you worked your way carefully through the projects in this book, there would be very little that would faze you at the end. She covers pattern alterations, collars, clipping curves, sewing on buttons, seam finishing, facings and linings ... and of course, pockets, although welt pockets are not included -- even Wendy says they're on the difficult side, so she left them out. Zippers are given a slightly hand-wavy treatment, but since there are roughly one gazillion zipper tutorials floating around the web, I don't think that's a problem.

I get a lot of emails that basically read "I bought a sewing machine NOW WHAT??" I think this book is the new answer to "NOW WHAT??"

Book Review Week: Martha Stewart's Encyclopedia of Crafts

I really wish I had been in the editorial meeting when this was brought up for approval. I mean, DUH. Martha Stewart + Crafts + Reference? Complete and total no-brainer. I bet the editor just said "Martha Stewart's Encyclopedia of Crafts" and everyone else said "Yup," and moved on to the next title on the agenda.

It doesn't disappoint (okay, it doesn't disappoint ME). (I loves me an A-Z format.) The projects are everything you'd expect from our friend Martha, and more ... incredibly cute pom-pom baby chicks, scrolled-paper hearts, rubber-stamped rain hats ... if it can be painted, cut, folded, beaded, silkscreened, marbleized, stamped, glittered, punched, or glued, Martha will tell you how to do it. With impeccably-styled full-color photographs, of course.

If you are a known crafter (and not a vocal Martha-hater -- I know they exist, but I don't get it, the woman is like a superhero—or at the very least, Lex Luthor, and I've kind of always had a soft spot for Lex Luthor) and do not receive this book from a loved one at the next major holiday, you may need to consider whether or not anybody loves you. I'm sorry, but that's just the way it is.

Book Review Week: Stitched In Time

Let's get one thing straight (especially if you are related to me): There is no chance that I am going to make anything in Alicia Paulson's new book, Stitched in Time, anytime soon.

(Okay, *maybe* the Baby Clothes Quilt. I do still have a bunch of baby clothes around here ...)

But that's only because I'm WAY overscheduled right now. If I could sit down every Sunday from now until Christmas with a pot of tea, an old movie on the television, and this book, I would work my way through it beginning to end. There are SO MANY adorable projects ... and, as the saying goes, so little time. Not to mention the fact that my niece is still too young for that cute little doll on the cover ...

However, even if you don't have time to make even the smallest potholder, you might still want to pick up this book just for the gorgeous photographs and Alicia's lovely voice on the page. (And if you're not already reading her blog, well, why aren't you?)

Because we can all hope that SOMEDAY, you're going to have a rainy Sunday with nothing to do, and you are going to want this book and a box full of fabric scraps and a little girl to make a doll for. You ARE. That's just how the world works. It's always better to be prepared!

Book Review Week: The Civilized Shopper's Guide to Edinburgh and Glasgow

The Civilized Shopper's Guide to Edinburgh and Glasgow is an adorable little book that is fueling my never-all-that-dormant desire to pay a visit to Scotland. (2009 *is* being promoted as "Homecoming Scotland", although I'm not sure if there's a statute of limitations as to how long ago, exactly, your ancestors can have left Scotland before they say "Eh? Never heard of you" when you show up again. I'm thinking two-hundred-some years is pushing it.)

Anyway, if you are lucky enough to be getting to Edinburgh (or Glasgow) this year, or both, I'd really recommend this little book. Unlike a lot of shopping guidebooks I've seen, this one really concentrates on unique shops, and shops all across the consumer spectrum: there's the obvious wool and whiskey and so on, but also chocolates, bagpipery supplies, and vintage clothing. The book includes so many luscious full-color photographs that I want to go to Scotland now just for the light in the pictures!

Book Review Week: Born-Again Vintage

Born-Again Vintage is another book I'm not really the audience for. I figured this out along about page 10, where the author refers to a "frumpy fifties housedress." (I clutched my pearls and said "Well, I never!" Then I shook out my skirts.)

If I wanted to eviscerate some perfectly good (or not-so-good: think qiana shirts from the 70s) vintage and clap together the pieces into new, wearable garments, that would be one thing (and occasionally a fun thing, too) but here's a list of things I do not consider wearable:

• jeans cut off at the knee with sweater sleeves sewn on them, "to create the look of a leg warmer while eliminating the struggle of "boot-horning" your cuffs"


• (while we're on the subject of leg warmers) leg warmers made from sweater sleeves, in general


• leg warmers AT ALL


• a corset made from a sweater


• short-shorts (made from anything)


• arm warmers

If these sound like garments that have pride of place in your closet (and you have a lot of sweaters to cut up) then maybe this book is for you. I'm afraid that I spent my time flipping through this book wanting the "before" garments a LOT more than the "afters". And when the author wrote (on page 65) "Cutting any fabulous vintage dress is a risk, but the end result here shows that it is worth the gamble," I'm afraid I said "No it's not!" out loud. (Sorry about that, guy in the coffee shop next to me.)

If you DO want to cut up perfectly good vintage dresses and sew them to t-shirts, this book offers more than enough information to get you started. (And if that's what makes you happy, fine. Go, have fun!)

[P.S. the pocket haiku from yesterday are FANTASTIC! I'll post the winners (and some runners-up) next Monday.]

Book Review Week: Singer Perfect Plus

I recently got a copy of Singer Perfect Plus: Sew a Mix-and-Match Wardrobe for Plus and Petite-Plus Sizes to review, and it's taken me a while to get to it, being neither perfect nor plus-size.

Perfect Plus is a very straightforward book, nothing fancy. You're not going to get any couture techniques here, or anything too fashion-forward or art-to-wear. This is primarily a book for petite, plus-size women who are not fashionistas, but are frustrated with the tatty stuff they see in stores (or with the price tags on the nicer plus-size garments) and who don't have a ton of sewing experience.

The book includes four patterns (a blouse with collar & sleeve variations, pants, an elastic-waist skirt, and a jacket with very nice pockets) and many, many pages of help on how to choose fabrics, construction tips, and fitting.

If you are newish to sewing, need a very basic petite plus-size wardrobe and want a lot of hand-holding, this book is ideal for you. These garments are so simple, though, that your fabric choices are going to be very important. Cheap polyesters or badly-designed prints will make these look like a dog's breakfast -- upgrading to better-quality cottons and silks and good buttons (and taking your time with construction) will make all the difference here.

If you're already an experienced sewist or you want garments with more advanced design elements, I'd save your money -- there's nothing here that you probably haven't already made on your own. You'd be better off getting a good book on fitting patterns (like Fit for Real People) and altering patterns that you really like.

I don't need to keep this book, so I'm giving it away ... the person who writes me the best haiku about pockets will get it! You can email your verse or leave it in the comments. (If you leave it in the comments and you want the book, make sure there's a way for me to reach you.)

Book Review: Things I Wish My Mother Had Told Me

Things I Wish My Mother Had Told Me: A Guide to Living with Impeccable Grace and Style is by Lucia van der Post, who is (was?) a columnist for the Times of London. (The book came out last year in the UK, I have the new Americanized edition.) I hadn't been a reader of Ms. van der Post's (and was dismayed to find that she thought the Marc Jacobs "Tribute" bag was "witty"), so I surprised by how much I enjoyed her book.

First off, Ms. van der Post is a woman of a certain age, and that age is old enough to have grandchildren. I have never understood why people would want to read fashion advice from someone younger than they are. (Everything looks good on people who are twenty; getting fashion advice from someone who can sleep in her makeup without consequence is like getting a restaurant recommendation from a fourteen-year-old boy.) Fashion advice should be dispensed, ideally, by elegant silver-haired matriarchs, who know all and have seen all ... like Ms. van der Post. Even if you aren't trying to disguise middle-aged spread, or worrying about wrinkle creams, well, forewarned is forearmed, I say.

And although the book is jam-packed with useful information, like where to buy retro sunglasses (Cutler & Gross in the UK) and mothballs (Lakeland) and hats (nyfashionhats.com), the real value is in her insistence that fashion is about happiness ("Completely pragmatically, one observes that those who dress prettily, elegantly, or glamorously have a lot more fun than those who don't.") and that you shouldn't take yourself too seriously ("Only small people take offense," she says, quoting her father).

In addition to the usual topics of style advice books (hair, diet, clothes, accessories, manners, and men) there is an excellent section on home decor, which doesn't assume you will have hot and cold running decorators or a fifteen-room manse to decorate. (My favorite house advice was to buy slowly, one by one, things you really love, so that you don't waste money on temporary solutions ... even though I am the queen of the "let's buy this $5 Ikea lamp until we figure out what we really want.")

But the worklife section is a bit ... antediluvian. "Usually -- but by no means always -- it's in the family's interests for the man's career to be given most attention ..." Really? C'mon. You get the feeling that the "by no means always" was inserted by the editor in a desperate attempt to ward off the stink of irrelevance. And Ms. van der Post's musing on whether any "... alpha woman (or any woman, come to that)" would want a "meek, docile, beta house husband"? Sheesh. If all "housewives" aren't docile (and we know they're not) why should we assume all "house husbands" are?

Actually, when reading through it, I kept having the feeling -- not a bad feeling, but a strong feeling -- that this could be one of those advice books from the early 1960s, like Dariaux's Elegance, reprinted. If it weren't for the URLs (and the odd mention of Uggs or Jennifer Aniston) there wouldn't be all that much to set it apart from those earlier books. And even the year's time since publication in the UK makes for some of those "window on an earlier era moments": Ms. van der Post recommends "Pepe jeans" as a good present for a "Young Boy," as well as "iPod socks."

But really, that's as it should be. Some kinds of advice are timeless (iPod socks notwithstanding), and if we have to republish it every decade or so under a different name with different quirks, I'm happy to read it every time. And really, who doesn't need to be periodically reminded of some of Ms. van der Post's maxims, like "clean and tidy less, and read more." Or "Never go out with a man who doesn't make you laugh." Or "Use the things you love every day. It's never worth saving things for a special occasion."

Giant Book Review Roundup Post

Book the first is Sew Fast Sew Easy Sew On, which is subtitled "All You Need To Know to Start Sewing and Serging -- Today!" I'm not so sure about the "today" part -- it may take you a little time to round up the supplies you want -- but with a little stick-to-it-tiveness, you could be sewing tomorrow, or at the very least Sunday.

I love this kind of rah-rah, you-can-do-it sewing book, because (rah-rah!) you CAN do it. Seriously. People ask me if it's hard to sew, and I always say that if you can drive a car and follow a recipe you can sew, because sewing is really just like following a recipe (and my sewing machine has a foot pedal). You take measurements, you mix things up, and if you've been paying attention, you get something delicious at the end. (And to push the driving metaphor a bit farther: sewing machines hardly EVER crash into each other.)

Sew Fast Sew Easy Sew On lays out, with detailed illustrations, all the basics of sewing. What you need. How to cut out a pattern. The parts of a sewing machine and of a serger. Basic garment construction. It's a very patient and helpful outline of sewing knowledge, and a great beginner book. And it includes some beginner patterns -- a t-shirt, a halter dress, a pair of drawstring pants, a box cushion, and the inevitable iPod cozy.

One-Piece Wearables is for slightly more advanced sewists -- its subtitle is "25 Chic Garments and Accessories to Sew from Single-Pattern Pieces." At first I thought the single-piece thing was a gimmick, but then I remembered how many times I'd altered a pattern to remove a seam I thought superfluous, and decided to take a closer look.

The book includes 15 patterns, several of the halter-top variety (there's only so much you can do with only one pattern piece!) but I was pleasantly surprised by the dress patterns, including a sweet little number called the "window-shopping dress". There's a t-shaped tunic that's not bad either, a great circle skirt, a very interesting little jacket, and even a really cute cloche-y hat!

The illustrations are more aspirational than technical but there are good diagrams of the cutting layouts and the instructions and supply lists are very clear. For intermediate sewists, this would be a great purchase; for beginners it may be a stretch; advanced sewists might want to get their hands on a copy as a jumping-off point for their own ideas.

Forgotten Fashion is not a how-to book, unless what you need to know how to do is be charmingly absurd. I consider myself a connoisseur of the absurd, so take it from me: this is some high-grade absurd, right here. Forgotten Fashion claims to be an "illustrated faux history of outrageous trends and their untimely demise," including safari pajamas (modeled after those worn in a screwball comedy where the stars were interrupted -- repeatedly -- on their wedding night by the groom's pet elephant, Jinx), the "poly-chem Oxford," a man's shirt made of space-age chemicals and designed to last fifty years, and my favorite, the "Four-O'Clock Dress" a toga-like garment to be worn AFTER coming home from shopping but BEFORE "the mister" got home. It had "secret inner pockets to hide the tools of whatever vice occupied the otherwise abject and idle afternoon ... miniature gin bottles, marijuana joints, or palm-sized erotic novels." Genius! (What would be in your secret pocket, I ask?)

Ready to Share: Fashion & the Ownership of Creativity might be harder to find than the books above, but it's well worth it. A collection of essays on creativity, sharing, idea transfer, and homage/borrowing/"theft" in fashion, published by the Norman Lear Center at USC, it's completely engrossing. If you like fashion and are fascinated by the arbitrariness of copyright, patents, and IP law in general, you have to read this book. (And how much do I love that I know that a considerable number of you reading this blog ARE in that category?) The book also includes a DVD of the related event put on by the center.

Whew, okay, that's it for the books on my desk today. Check back at some undetermined interval for more book-reviewing madness!

Sew U: Home Stretch

Little, Brown sent me a copy of Sew U: Home Stretch to review (and two more to give away!) and I've just had a chance to sit down and take a look.

Although I think this book is not especially geared to my personal aesthetic (I lived through the 1980s the first time, thanks) the tips for sewing knits seem incredibly helpful. There's a real guerrilla, make-do tone; although a serger is suggested, you can make most of the knit projects in this book with your regular sewing machine. AND the book includes patterns!

I'm seriously tempted to start making my own t-shirts (or at least shorten the ones I buy online) now that I've read this book. Then they would finally all be the right length!

On to the giveaways: I'll give away the two copies to two people selected at random from those who've made recent changes at the Vintage Pattern Wiki by Friday night, CDT, June 20. (You don't have to join/log in to add to the wiki in general, but if you want to win a book you have to so that I can find you!) Not sure how to participate? here are the original instructions.

Also, Jenny added a Fauxlero category! Go forth and upload and tag, please.

If you're not into knits you might be interested in the first Sew U book, which I reviewed here.

Books: Wife Dressing

I've been meaning to review Wife Dressing: The Fine Art of Being a Well-Dressed Wife for ages; it's been sitting here on the little typing table I use as an auxiliary desk (which should have a big bin on it labeled "stuff you should get to today but probably won't").

Make no mistake, this is a book primarily about "dressing for HIM" (the sub-subtitle is "With Provocative Notes for the Patient Husband Who Pays the Bills") and, although Fogarty was a very successful designer, she downplays that quite a bit (she spends more time talking about her eighteen-inch waist!). You get the impression that perhaps her Mister (one or all of them; she married three times) wasn't entirely comfortable with a breadwinning wife and that this book, in part, was meant to reassure him that he, too, was important in her life ... even if she was selling thousands of dollars of dresses every year.

But once you get past that, the book is full of gems, such as:

A travel wardrobe is personal. ... It is a condensation of your regular wardrobe, not a separate entity. After all, you're still the same person whether you're at home or far away, and you'll want familiar garments with you. Never cut your gear so close to the bone that you leave your personality behind.

(italics Fogarty's)

or how about this?

As for flagrant bad taste, there aren't too many examples. Shorts on a city street is one of the worst. This shows a lack of self-respect and a contempt for the people who are properly dressed. .... Strapless dresses in town are as bad. If a dress is strapless, it's either a cocktail dress that should be worn after five or else it's a sundress and should stay in the sun.

And my favorite:

The art of courage and discretion is a clarion cry for individuality, a turning away from slavish adherence to every fashion or beauty trend. Courage and discretion go hand in hand: the courage to dare to be yourself, the discretion not to overdo; the courage to do something unusual, the discretion to temper it.

That's good advice for everyone, whether there's a husband in the picture or not. In fact, it's even good advice for husbands themselves.

Books!

First off is Yeah! I Made It Myself, by Eithne Farry, which has been languishing under a pile of language-related books I have to review for I don't know how long. Since I came back from London, at the very least. Which is a shame, because it's a charming book.

I fell into immediate sympathy with the author, who declares (in the first fifty pages) her love for bias tape, sewing with furnishing fabric, and bright colo[u]rs.

But, be aware this is much more of a punk-rock, you-go-girlfriend-type book than a Martha Stewart "here are my 105 downloadable templates" type book. Most of the measurements given are approximate; the "diagrams" are done in what looks like magic marker. If you need constant reassurance that you are "doing it right", this is not the book for you; if you want to feel as if any way you do it is right (within reason), jump right in.

This book would be a perfect present for a teen friend who wants to sew but is put off by the embellished-quilted-vest crowd you see on a lot "traditional" sewing books ... just keep an eye on your curtains.





The other book that's up for review today is 99 Ways To Cut, Sew, Tie & Rock Your Scarf I was really looking forward to this one, because I'm always interested in ways to make clothing-type stuff from things that aren't necessarily fabric (although of course with scarves it's changing one clothing-type thing into another clothing-type thing, or, in this case, 99 other clothing-type things).

All of the 99 versions in this book have women's names, and, believe it or not, my copy fell open to "Erin" ... which is a balloon skirt. Not an auspicious start, although your opinion of balloon skirts may differ from mine. (My opinion is I hate 'em.) I think this was a sign that I'm not the intended audience for this book: first off, I don't really ever "rock" anything I'm wearing -- I prefer to "power-pop" my clothing, the choruses are better -- also I'm not a big fan of the halter top, versions of which I would estimate take up a good quarter of the "99 ways". One other reason why I figured I wasn't the audience for this book: none of the illustrated models are wearing eyeglasses! (Sunglasses don't count.)

However, if you are a halter-top fan, and you have been looking for a good quick balloon-skirt pattern, this book is totally for you. The instructions are clear and easy to follow and there's a great glossary of terms at the end. And even if you don't want 47 scarf-based tops that you can't wear a bra under, the "Jolene" kimono-style jacket is really lovely.

Again, though, this is a sewing book for non-sewers: almost every project can be made without a machine, and the emphasis is heavily on "find the scarf (preferably in a thrift store) today, wear it out tonight."

I actually got two copies of this, so if you want one, here's how to get it: be the first person to tell me where I can buy two more yards of this cotton poplin camouflage fabric:



I had just enough for a skirt ... I thought. Then I saw that I'd dropped the center-back pattern piece on the floor. D'oh! So help me out, and get a free book! Email or comments are both fine ways to enter. If you leave a comment, though, make sure I can reach you to get an address for the sending of your prize!

Book Review: The Meaning of Sunglasses

I was recently sent a copy of Hadley Freeman's The Meaning of Sunglasses to review. I wasn't exactly sure that I would enjoy it; you all know how I feel about most of the fashion-industrial complex. Also I have exactly one pair of (prescription) sunglasses, and they're decidedly not designer (they're very nice tortoise cats-eyes, classic, I've had them for years): what on earth would I find to like in a book called The Meaning of Sunglasses?

The answer, of course, is "quite a bit". Hadley's voice is wry and quite often exasperated and she doesn't take either herself or the fashion industry too seriously. We also agree on the core issues, e.g., dresses:

A good dress will never make you feel fat, it can be worn with flats or heels, and everybody can find a style that suits them—absolutely none of these statements can be applied to trousers with 100 percent certainty.

and shoes:

The brilliant thing about the sudden and surprising emergence of the thick heel—aside from the fact that, after 2000 years, shoemakers seem to have come to grips with the idea of weight distribution—is that it doesn't look like you're trying so hard to be sexy, and this, in itself, is sexier.

Of course, there is much that Ms Freeman and I disagree on: she's very down on orange coats (my favorite coat of the fall was traffic-cone orange); she's not a fan of Liberty ("Liberty prints have a kitsch appeal and so can only be worn in measured doses"), and neither does she like cardigans ("it is a rare woman who gets too excited about buying just one cardigan, never mind four or five" — I must be a rare woman, then ...). Wacky eyeglasses also come in for a little bit of finger-wagging. But her tone is such that I know if I met her in a bar wearing my orange coat, a cotton cardigan over my riotous Liberty-print dress, with bright-blue eyeglasses, she'd roll with it, and we'd have a great time.

Another plus: I laughed out loud several times, especially at this bit about Karl (He-Must-Be-Stopped) Lagerfeld: "Now he looks like a psychotic sixteenth-century German courtier, just as he'd intended."

Ideally, this is a book that a close girlfriend would give you as a gift, with the funnier parts called out with little post-it tags. At $24.95, it's just slightly too expensive (and the content slightly too lightweight) to really justify as a fashion-library addition. Also, if you read it straight through (as I did), some of it has the feel of reworked newspaper columns (Ms Freeman writes for the Guardian), with some repeated phrases and jokes. In fact, while you're waiting for someone to give you this book, I recommend subscribing to her RSS feed.

As for the sunglasses ... you'll have to read the book to find out exactly what they mean. This is a spoiler-free zone, people!

Book Review: Basic Black

I was asked if I wanted a copy of Basic Black for review, and I said "yes, of course." Cathie Black is the president of Hearst Magazines; I am a magazine junkie: why not?

Basic Black is not only very readable (unlike quite a few other how-to-succeed-books I've come across) it's also very enjoyable. Ms. Black has a practical, friendly tone that comes across well on the page, and her advice is of the "this worked for me, I think it will work for you" variety rather than a one-size-fits-all manifesto. The whole book leaves you feeling refreshed and optimistic about the world of work and your place in it.

Here's one of my favorite bits:

If you want to be an innovator, express yourself like an innovator. Dress in something with verve rather than a corporate uniform. Take your team offsite and do something wacky. Wear a costume to a sales meeting [...] and recruit a few others to do the same. Pick a theme -- have people dress like cartoon characters.

I really wish I'd recruited people to dress like cartoon characters more often. It's absolutely on the to-do list now!

One of the things I really appreciated about Ms. Black and her book was that she doesn't think that feminism and business are incompatible. She worked for Ms. and for USA TODAY -- and you don't get more mainstream than USA TODAY! And when people grumbled that she hired "too many women" (whatever THAT means) she made her point in a very direct, concrete, and nonconfrontational way: at a holiday lunch for Hearst executives, she was supposed to make some brief remarks after the meal. She stood up and said: "Some people seem to think I hire too many women. I just want you to know I'm listening to their complaints. So I thought I'd do a little survey. Would the women executives please stand up?" A third of the room stands. Then she asks for the male executives to stand ... and when dozens of men get to their feet, her point is made.

One of her best points, I think, is a slightly-kinder "Get over it," urging women not to dwell on their mistakes but to pick themselves up and move on. "If I needed three days to get over every day I was criticized, I'd never have gotten anything done in my career," she warns. It's more important to get things done than to get things done perfectly, and better to try and fail than never try at all.

If you're looking for a book for a recent college graduate, especially one interested in working in publishing or media (or sales, for that matter), this is an excellent choice, and it's not bad for people who have been in the work world for a while, either.

Books Books Books

The post office has delivered some fun books lately for me to share with you -- I love getting review copies, especially of novels, because then reading for fun magically becomes Work with a capital W. As in, "Honey, I'd love to put away the laundry right now, but I really have to finish this book for Work. You understand, don't you?" Of course, my husband twigged to this little ruse years ago, so there's some eye-rolling involved (and if I'm eating chocolate while "Working" all bets are off) but still. It's fun.

One of the books that was sent to me was this one, Violet on the Runway, which I suppose is technically YA, although it certainly has what we used to call Adult Content. All I know is that if I had come across this when I was thirteen, I would have read it three times, and even as an adult, it was truly entertaining. The people are whole and well-rounded and I liked Violet very much, as the ugly duckling who turns out to be a swan (and who might be happier as a duckling). It was so nice to read a fashion-y book that didn't go overboard with the brand names, didn't seem like an extended game of paper dolls, and which featured people you could like and understand. An excellent book for your favorite fashion-mad teen (and if you're careful and don't get chocolate on the pages, you can read it yourself first).




I was also sent The Collection, a novel set in part in the workrooms of Coco Chanel; kind of a The Devil Wears Prada, only with Coco as the Devil. I tend to like historical fiction, and this was a nice change from kings of the realm and so on. Unfortunately, the characters were a bit flatter than my ideal -- I kept waiting for Isabelle to do something dramatic -- but the plot was such that I read it all in one sitting, so that must mean *something*. (Weirdly, I also got an email blast from The New Yorker yesterday inviting me to a reading of this novel at the Eileen Fisher store in the Water Tower Mall. Is Eileen Fisher the new Chanel and nobody told me? It certainly makes a kind of sense.)

Lastly, this is probably better suited for my other blog, but Burgess Unabridged is just an adorable book, and I'm so glad that Walker has brought it back in print. Gelett Burgess was, in fact, the guy who coined the word blurb, which makes me insanely happy, in a meta kind of way, that I was able to blurb this book. (Not many people get to blurb the blurber.) Burgess Unabridged is a collection of his other neologisms, none of which ever had the success of blurb, but which make for interesting reading, nonetheless. Like the word kipe, which he defines as "A woman's glance at another woman." Leaving aside the heteronormativity of that for the moment, doesn't that word describe every two-figure illustrated pattern envelope you've ever seen? Or his word gorgule, meaning "elaborate bad taste," something we always know when we see it -- and now have a handy word for. Burgess Unabridged is illustrated, too, by Herb Roth, in a kind of Aubrey Beardsley-meets-Gahan-Wilson style.

There. A little light reading for a Wednesday?

The Little Black Book of Style by Nina Garcia

Collins recently sent me a copy of The Little Black Book of Style to review; not one to turn down free books, I said "Yea, O Publisher, send unto me," and I was glad I did.

This gladness took the form most often called smugness, as the lovely and talented Nina Garcia agrees with me on all the important points of style, to wit:

"Your closet should be full of only pieces that look good on you and make you feel good about yourself" (see my post here)

"A stylish woman makes me want to walk up to her and say "Where did you get that? ... I just have to find out where it is from. A flea market, her grandmother's closet, wherever." (see my post about clothes & stories here)

"Go a little crazy. Be a little dramatic. Have a lot of fun." (the 'crazy' skirt, here)

Now, I know, I know, Ms. Garcia is on The Television, and I am not (or, I am, but rarely, and never talking about fashion) so perhaps I should not be saying how happy I am that she agrees with me, but how glad I am to agree with a internationally-known arbiter of style. But if you have been reading this blog for a while, this is a book you won't get into arguments with, or mutter "What is she thinking?" on every other page. Instead, you will do a lot of nodding (when you aren't gazing lovingly at the Ruben Toledo illustrations).

The one point on which Ms. Garcia and I will have to agree to disagree is the necessity of having a faaaaaabulous handbag. I think that a Chanel 2.55 bag is quite possibly the most horrible handbag ever, totally boring, and expensive to boot. (And it doesn't have a pocket for my Treo, which tells you where I'm coming from.) Nor would I wait a gazillion years for a Hermés Birkin bag, even if I thought that kind of money was chump change. (In fact, I hate the whole handbag-industrial complex, and come the revolution I will cheer as they are driven through the streets in a tumbril.)

The fashion-advice bits (aside from the handbag stuff) are straightforward and sensible; the brief biography she allows herself is interesting and the quotations scattered through the book are apt (although one wishes they were SOURCED, but not everyone is as OCD about that as reference book editors ...). Her what-to-wear-when advice is pretty good -- I wish she had forbidden wearing black as well as white to weddings but I may have to silently resign myself to being the only person alive to follow that rule.

It's a small book, though, and it is padded with the plots of important fashion movies (!) and thumbnail 'who-dat?' sketches of fashionable rock stars (!!) and an incredibly brief timeline of 'fashion history', none of which is especially useful to anyone who was born before 1995. The paragraphs (one each) given to Africa and fashion and Asia and fashion were also a bit painful, and could have been cut without harm to the book or Ms. Garcia ... there is also a series of Q&As with various fashion-y people, the quality of which is uneven. Some of them are funny, revealing, and generous, and some of them seem to have been emailed via a Blackberry from the back of a cab.

In short, if you want a petite, elegantly-designed, sensible book on style, this is for you. There's nothing groundbreaking here, but there's nothing stupid, either (except for maybe those Africa- and Asia-in-fashion paragraphs), and that's not to be sneered at. I recommend it!

Saturday Night Hat

Caroline was nice enough to send me a copy of Saturday Night Hat by Eugenia Kim, and I *really* like it.

First of all, and I know this is the kind of thing only an editor would notice or appreciate, but one Joanne Paek is given credit, right on the cover, for technical writing. That's awesome, because, well, technical pattern writing is HARD. And no matter how good you are at the doing, the writing of the doing is a completely different skill. I really admire Kim (and her publisher, Potter Craft) for not only hiring a technical writer, but giving her prominent credit. That's a sign of a generous spirit and consideration for the readers.

And that generous spirit continues through the book. Kim outlines half-a-dozen classic hats with as many variations each. I'm not especially a hat person (okay, I love hats, but that thing you do when you look in the mirror and take one thing off before you leave the house? What usually comes off, in my case, is the hat) but I'm definitely going to make her beret, and probably the cloche and the fedora as well, if I can figure out a way to keep the latter two from fighting with my glasses. Some of her hats are worth wearing contact lenses for, and that's saying something.

One last thing: isn't that bib dress on the cover adorable! I love it with the fedora (although I also believe that cowboy boots are fashion-victimy nine times out of ten. Of course, every time I see that tenth woman on whom cowboy boots are *perfect*, I change my mind ...)

Thank you, Caroline! What a great book!